In the 1980s, the Flemish city film has its heyday. After years of historical dramas and literary adaptations, Flemish cinema reinvents itself. In his debut, director Marc Didden (1949), a Brussels’ ketje himself, chronicles a desperate murderer’s wanderings through the desolate Brussels’ night. In the same year – but in a far less dark melancholic atmosphere, Antwerp director Patrick Le Bon m
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