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The Star
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Europese cinema na 1945
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Short films by Martin Scorsese
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The Belgian Coast
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At the museum
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The Great War at 16 f/s
In a faraway land… Belgian Congo (1909-1960)
Contact
– Main Menu –
Topics
- Media History Timelines
- Pre-cinema
- 1895
- Thrill to Story
- True colours
- Going to the movies
- Development of the Industry
- You ain’t heard nothin’ yet
- Europe knows best
- - Frans Impressionisme
- - Duits Expressionisme
- - De Russen komen… !
- Classical Hollywood
- - The Star
- - The Story
- - The Code
- - The Wizard is Wonderful
- - Hollywood’s War Effort
- - The Crisis and Beyond: A, B to Z
- Europese cinema na 1945
- - Voyage to Italy: neorealism and after
- - Certaines tendances du cinéma français
- - New Ways, New Waves
- Alfred Hitchcock
- New Hollywood
- - Hollywood Renaissance
- - Martin Scorsese
- - - Short films by Martin Scorsese
- New New Hollywood
- Hong Kong Cinema
Analyse
- Short films by Martin Scorsese
- Film form & genre
- Mise-en-scène
- Editing & cinematography
- Sound
- Film & Visual Arts
Cinema Made in Belgium
- What, if anything, is Belgium?
- Brussels
- Antwerp
- Ghent
- La Wallonie profonde: Liège, Charleroi & Les Ardennes
- The Belgian Coast
- A Day In The Country
- At the museum
- Hors-champs
- The Great War at 16 f/s
- In a faraway land… Belgian Congo (1909-1960)
Contact
Tag
Emil Jannings
Date:
23 Oct 1920
Comment:
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Tag:
Emil Jannings
,
Friedrich Wilhelm Murnau
Der Letzte Mann (1924)
Dankzij de ‘entfesselte kamera’ van Karl Freund leeft de kijker van F.W. Murnau’s Der Letzte Mann (1924) mee met Emil Jannings dronkenmansgezwalp.
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