The sixties did not miss their effect in Belgian cinema. After the provocative exploitation film Cash? Cash! and the naughty costume drama Louisa. A Word of Love (1968), Pierre Drouot (1943) and Paul Collette made a psychological sex film with artistic ambitions: L’étreinte (The Embrace). The film was probably the most successful of a cycle of (short and feature) (s)exploitation films like Rhythm of Love (Chris
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